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Jennifer Nieuwland

  • Home
  • Work
    • Busts and Heads Series
    • Body Parts Series
    • Birth series
    • Wounds series
    • Sphinx Series
  • About
  • Contact

About

Statement

Jennifer Nieuwland’s paintings navigate the weirdness and vulnerability of living in a body, seeking to excavate the intangible sensory register that lies deep within our physical and psychic selves. In her work, meaning can be manifested through metaphor, symbolism and the placement of paint itself. 

Fundamentally, Nieuwland is interested in the potential of paint to encode and activate sensation - how a nervy scratch can evoke a wounding, a cakey texture can conjure a sense of heaviness or inertia and an agitated brush mark can reflect a twitching energy.

She explores ideas of containment and release through formal and material play. Ambiguous bodily forms stretch, distort, nest, shelter, decompose, erupt, emit or suppress energy; seemingly in the clutches of internal and external forces. Potentially both architects and victims of the world they inhabit, they sit host-less and centre-stage in elemental, heightened spaces.

At first these works may appear outward facing, presenting bold, formally considered and dynamic compositions but on closer inspection they draw the viewer into a more intimate journey. Felt experience is embedded in the skin of the paintings, reverberating through the textures, marks, sheens and colours striking different emotional notes.

Her idiosyncratic painterly language encourages a dialogue about our interiority. It is variously sticky, lumpy, scratched, fleshy, acting in visceral ways while in other instances it is soft, translucent, warm, quiet, conveying moments of introspection, fragility and comfort. These material antinomies echo the tensions, paradoxes and intricacies within her implicitly female experience, while disrupting the logic of her narrative and allowing universal meanings to emerge.

Nieuwland’s playful and intuitive relationship with paint injects an occasionally cartoony aesthetic which offsets the disturbing elements within. Ultimately, her work confronts us with charged and confounding spaces where violence and beauty, humour and pain are negotiated.

 

EDUCATION

City and Guilds of London Art School, MA Fine Art (Distinction), 2019-2021

London School of Economics, MA Sociology 1998-1999

London School of Economics, BA Geography 1995-1998


SELECTED EXHIBITIONS

2025

Quiet.Bright, Terrace Gallery, London

2024

Salon (II), Liminal Gallery, Margate

Showcase 2, Studio 1.1, London

A room of one’s own, Irving Gallery, Oxford

Inside Out, SET, London

In Bits, Liminal Gallery, Margate (duo show)

2023

About Face, 50MV, Liverpool

Mother Of All, Blue On The Hill Gallery, London

The Waiting Room, The Koppel Project Station, London

Corpus, Hypha Studios Farringdon, London

Turps off-site show, Thames- Side Gallery, London

Stretch, Somers Gallery, London

Art on a Postcard for International Women’s day, Fitzrovia Gallery, London

2022

Now Introducing 2022, Studio West Gallery, London

Matrescence, Liminal Gallery, Margate

Fissured Realms D Contemporary, London

Oh My! What Lovely Basket Of Fruit! New Normal Projects, Netil House, London

I Felt That… The Tub Hackney, London

2021

MA Fine Art Exhibition, City and Guilds of London Art School, London

CGLAS MA Interim Show, London

The Ashurst Collection, London

2019

The Ashurst Collection, London

Affordable Art Fair, Hampstead, London

Finalist, Jacksons Open Painting Prize, London

2018

ING Discerning Eye, Mall Galleries, London

Emerging Women in Art, Burgh House, London

Diverse Portraits: A collective, Burgh House, London

2017

21ST National Open Art Competition, BargeHouse Oxo Tower, London

Emerging Women in Art, Burgh House, London

Sky Arts, Wallace Collection - Finalists exhibition, London

PRIZES and RESIDENCIES

2024 Xenia Creative Retreat - July residency

2023 ACS Studio Prize - Shortlisted

2023 John Moores Painting Prize - Longlisted

2022 Now Introducing 2022, Studio West - Shortlisted

2019 Jacksons open painting prize - Finalist

2018 ING Discerning Eye - Shortlisted

PRESS

2025 Terrace Gallery Publication (CadeCuratorial), A Pastel Palette, Cover and article

2024 SuboArtMagazine, Interview, Winter Issue

2023 Ache Magazine, cover and writings by Rochelle Roberts

2022 HIA Magazine, January Issue - selected artist

2018 Create! Magazine February/March Issue - selected artist